Overview

Raúl Ortega Ayala (1973) studied Painting at ‘La Esmeralda’ in Mexico City after which he traveled to the Glasgow School of Art for a Master in Fine Arts. During his master’s degree, he moved away from painting and veered his practice towards Anthropology and began working with the ethnographic method of ‘participant observation.’ Since then, Ortega Ayala has purposefully immersed himself for periods of one or two years in various different contexts such as the office world, food and gardening. This resulted in three different series, titled: ‘Bureaucratic Sonata, An Ethnography on Gardening, and Food for Thought’. He is currently exploring other methodologies used in History and Archaeology for an ongoing series ‘From the Pit of Etc.’ devoted to the concept of absence, trace, and iconoclasm. Raúl Ortega Ayala is currently living and working in Wellington, New Zealand.

 

Recent group exhibitions include ‘Stirring the Pot of Story’ at the Delfina Foundation in London, ‘Silent Light’ at Dürst Britt & Mayhew, ‘True Story’ at Proyectos Monclova in Mexico City and ‘Yes Naturally’ at the Gemeentemuseum Den Haag in The Hague. Solo exhibitions include ‘Living Remains’ at Stroom Den Haag and ‘Melting Pots’ at Rokeby Gallery in London. Work by Raúl Ortega Ayala is held in private and public collections, including the David Roberts Art Foundation, the AkzoNobel Art Foundation and the VandenBroek Foundation.

Exhibitions
Works
  • Raúl Ortega Ayala, Field note 22-06-19 - 7572 (Air Studios), 2023
    Field note 22-06-19 - 7572 (Air Studios), 2023
  • Raúl Ortega Ayala, Field note 03-12-18 - 6929 (Soufrière Hills Volcano), 2023
    Field note 03-12-18 - 6929 (Soufrière Hills Volcano), 2023
  • Raúl Ortega Ayala, Field note 18-06-19 - 0004 (Church, Plymouth), 2023
    Field note 18-06-19 - 0004 (Church, Plymouth), 2023
  • Raúl Ortega Ayala, Field note 18-06-19 - 0022 (Church organ, Plymouth), 2023
    Field note 18-06-19 - 0022 (Church organ, Plymouth), 2023
  • Raúl Ortega Ayala, Field note 18-06-19 - 0033 (Church, Plymouth), 2023
    Field note 18-06-19 - 0033 (Church, Plymouth), 2023
  • Raúl Ortega Ayala, Field note 18-06-19 - 0089 (Church), 2023
    Field note 18-06-19 - 0089 (Church), 2023
  • Raúl Ortega Ayala, Field note 20-06-19 - 0031 (Silver Cats Bar), 2023
    Field note 20-06-19 - 0031 (Silver Cats Bar), 2023
  • Raúl Ortega Ayala, Field note 21-06-19 - 7568 (Air Studios), 2023
    Field note 21-06-19 - 7568 (Air Studios), 2023
  • Raúl Ortega Ayala, Field note 22-06-19 - 7572 (Silver Cats Bar - Montserrat), 2023
    Field note 22-06-19 - 7572 (Silver Cats Bar - Montserrat), 2023
  • Raúl Ortega Ayala, Field note 23-04-17 - 8692 (Hotel – Richmond Hill), 2023
    Field note 23-04-17 - 8692 (Hotel – Richmond Hill), 2023
  • Raúl Ortega Ayala, Field note 24-04-17 - 8958 (Plymouth), 2023
    Field note 24-04-17 - 8958 (Plymouth), 2023
  • Raúl Ortega Ayala, Field note 24-04-17 - 8983 (Pentecostal church, Plymouth), 2023
    Field note 24-04-17 - 8983 (Pentecostal church, Plymouth), 2023
  • Raúl Ortega Ayala, Field note 22-03-21 – WD 20.8mm (x 1000 view of recovered vinyl via Electron Microscope), 2023
    Field note 22-03-21 – WD 20.8mm (x 1000 view of recovered vinyl via Electron Microscope), 2023
  • Raúl Ortega Ayala, Field note 22-03-21 – WD 14.6mm (x 300 view of recovered vinyl via Electron Microscope), 2023
    Field note 22-03-21 – WD 14.6mm (x 300 view of recovered vinyl via Electron Microscope), 2023
  • Raúl Ortega Ayala, Field note 22-03-21 – WD 13.3mm (x 500 view of recovered vinyl via Electron Microscope), 2023
    Field note 22-03-21 – WD 13.3mm (x 500 view of recovered vinyl via Electron Microscope), 2023
  • Raúl Ortega Ayala, Field note 22-03-21 – WD 11.6mm (x 100 view of recovered vinyl via Electron Microscope), 2023
    Field note 22-03-21 – WD 11.6mm (x 100 view of recovered vinyl via Electron Microscope), 2023
Art Fairs
News