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Alejandra Venegas, Sol, 2022
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Alexandre Lavet, The good side of life, 2022
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Puck Verkade, Untitled, 2019
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Jacqueline de Jong, ‘Folva’s’ playing ground en pleine Dérive (Potato Blues series), 2017
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David Roth, Untitled, 2011 - 2023
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Willem Hussem, Composition , (ca 1970 - 1971)
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Wieske Wester, Haan uit de tuin #2, 2024
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Paul Beumer, Feng Shui, 2022
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Alexandre Lavet, The good side of life, 2022
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Lennart Lahuis, When is it that we feel change in the air [1/4], 2021 - 2022
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Jacqueline de Jong, ‘Kennebec’ on the move (Potato Blues series), 2016
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David Roth, Untitled, 2010 - 2023
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Willem Hussem, Composition, 1962
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David Roth, Flower painting (Hohenau), 2023
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Alexandre Lavet, The good side of life, 2022
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Lennart Lahuis, When is it that we feel change in the air [2/4], 2021 - 2022
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Paul Beumer, A phosphorescent centipede, 2021
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Alejandra Venegas, Some pollution, 2020
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Jacqueline de Jong, ‘Eigenheimer's’ first encounter (Potato Blues series), 2017
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Willem Hussem, Composition, 1970
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David Roth, Flower painting (Hohenau), 2023
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Alexandre Lavet, The good side of life, 2022
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Lennart Lahuis, When is it that we feel change in the air [3/4], 2021 - 2022
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Paul Beumer, A spear with a narrow blade, 2021
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Alejandra Venegas, Vereda, 2020
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Jacqueline de Jong, Distressed ‘Krieltjes’ on the beach, 2016
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Willem Hussem, Composition, 1966
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Lennart Lahuis, When is it that we feel change in the air [4/4], 2021 - 2022
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David Roth, Untitled (bouquet of brushes / Saint-Viâtre), 2021
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Paul Beumer, A tree? Antiaris, the sap of which is very poisonous, 2020
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Alejandra Venegas, Isla, 2020
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Alexandre Lavet, The Real Truth of Mankind, 2018
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Jacqueline de Jong, Deep Down, 1996-1997
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Willem Hussem, Composition, 1971
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David Roth, Flowerpainting (Barça 2), 2022
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Lennart Lahuis, Sunset, 2021
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Paul Beumer, Curled top of the fern, 2020
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Alexandre Lavet, Tsundoku, 2019-2022
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Alejandra Venegas, Paisaje #7, 2019
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Jacqueline de Jong, On the Road, 1996
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Willem Hussem, Composition, 1966
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David Roth, Flowerpainting (Barça 1), 2022
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Lennart Lahuis, February, 2021
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Paul Beumer, Normally an omen bird, but really a cricket, 2020
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Alexandre Lavet, Tsundoku, 2019-2022
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Alejandra Venegas, Paisaje #25, 2019
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Jacqueline de Jong, Under Pressure, 1994
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Willem Hussem, Composition, 1961
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Paul Beumer, Rolled up in a ball, 2021
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Alexandre Lavet, Tsundoku, 2019-2022
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Alejandra Venegas, Paisaje #22, 2019
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Lennart Lahuis, Le sentiment national, 2019
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Jacqueline de Jong, Sousterrain, 1994
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Willem Hussem, Composition, 1963
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Alexandre Lavet, Why can’t we sleep, 2022
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David Roth, Flowerpainting (Vienna) #5, 2021
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Paul Beumer, Thorns, spiky, hole made with the finger, pressed down, 2020
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Alejandra Venegas, Paisaje #14, 2019
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Jacqueline de Jong, Piano, 1994
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Willem Hussem, Composition, 1963
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Alexandre Lavet, UN HOMME QUI DORT, 2022
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David Roth, Fleurs Sauvages de Pré de L‘Orme #6, 2021
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Paul Beumer, White shrew, moon rat, a title for the god king, 2020
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Jacqueline de Jong, Onder het ijs (sous glace), 1994
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Willem Hussem, Composition, 1963
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David Roth, Fleurs Sauvages de Pré de L‘Orme #2, 2021
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Alexandre Lavet, The room of one’s own, 2018
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Jacqueline de Jong, Car Break, 1994
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Willem Hussem, Composition, 1965
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Alexandre Lavet, SEMIN RENOV, 2022
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Paul Beumer, A dervish deceived by a hailstorm, 2019
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David Roth, Come as you are, 2011 -2020
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Jacqueline de Jong, Untitled, 1992
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Willem Hussem, Composition, 1965
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Willem Hussem, Composition, ca. 1963
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Paul Beumer, The lover who wanted to kill his beloved, 2019
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Alexandre Lavet, Paneer Mocknee, 2015
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David Roth, A history of painting, 2008-2012
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Jacqueline de Jong, Hanging Women, 1992
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Alexandre Lavet, LEARN FROM YESTERDAY, 2022
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