Alexandre Lavet b. 1988

Overview

The work of Alexandre Lavet plays with the idea of emptiness, disappearance and erasure. Under the apparent homogeneity of exhibition spaces lie the details that mark the uniqueness and specificity of each place. It is these elements that Alexandre Lavet wants to bring to light, thereby making the viewer more aware of the environment surrounding him.

 

Alexandre Lavet (1988) received both his BFA and MFA from the École Supérieure d’Art in Clermont-Ferrand, France. Recent solo exhibitions include ‘Everyday, I don’t’ at CAC Passerelle in Brest, France, ’Learn from yesterday. Live for today. Look to tomorrow. Rest this afternoon’ at Deborah Bowmann in Brussels, ‘I would prefer not to’ at Galerie Paris-Beijing in Paris, and ‘La cigarette n’a pas le même goût au soleil’ at Dürst Britt & Mayhew. Recent group exhibitions include ‘When in Doubt, Go to a Museum’ at City Museum of Ljubljana, ‘Grand Salon’ at Centre d’Art Contemporain / Passages in Troyes, France, ‘Olaph the Oxman’ at Copperfield Gallery, London, ‘Vision’ at Palais de Tokyo in Paris, ‘Run Run Run’ at Villa Arson in Nice, and ‘The Context’ at Museum Flehite in Amersfoort, Netherlands. His work is held in private and public collections, including the moraes-barbosa collection in São Paulo, the EKARD collection and the Lisser Art Museum (LAM) in The Netherlands. Alexandre Lavet is living and working in Brussels.

Exhibitions
Works
  • Alexandre Lavet, 2 Avenue Louis Bertrand (door cling), 2022
    2 Avenue Louis Bertrand (door cling), 2022
  • Alexandre Lavet, 2 Avenue Louis Bertrand (frieze), 2022
    2 Avenue Louis Bertrand (frieze), 2022
  • Alexandre Lavet, C’est si bon, 2021
    C’est si bon, 2021
  • Alexandre Lavet, De grandes idées, 2022
    De grandes idées, 2022
  • Alexandre Lavet, Editor’s letter, 2022
    Editor’s letter, 2022
  • Alexandre Lavet, FRUITS-SAVEUR, 2021
    FRUITS-SAVEUR, 2021
  • Alexandre Lavet, Goede nachtrust, 2022
    Goede nachtrust, 2022
  • Alexandre Lavet, O blé d’art, 2019
    O blé d’art, 2019
  • Alexandre Lavet, Pomme Suntan, 2019
    Pomme Suntan, 2019
  • Alexandre Lavet, Nap study, 2018
    Nap study, 2018
  • Alexandre Lavet, Nap study, 2018
    Nap study, 2018
  • Alexandre Lavet, Nap study, 2018
    Nap study, 2018
  • Alexandre Lavet, The good side of life, 2022
    The good side of life, 2022
  • Alexandre Lavet, The good side of life, 2022
    The good side of life, 2022
  • Alexandre Lavet, The good side of life, 2022
    The good side of life, 2022
  • Alexandre Lavet, The good side of life, 2022
    The good side of life, 2022
  • Alexandre Lavet, The good side of life, 2022
    The good side of life, 2022
  • Alexandre Lavet, The good side of life, 2022
    The good side of life, 2022
  • Alexandre Lavet, The good side of life, 2022
    The good side of life, 2022
  • Alexandre Lavet, The good side of life, 2022
    The good side of life, 2022
  • Alexandre Lavet, The Real Truth of Mankind, 2018
    The Real Truth of Mankind, 2018
  • Alexandre Lavet, Tsundoku, 2019-2022
    Tsundoku, 2019-2022
  • Alexandre Lavet, Tsundoku, 2019-2022
    Tsundoku, 2019-2022
  • Alexandre Lavet, Tsundoku, 2019-2022
    Tsundoku, 2019-2022
  • Alexandre Lavet, Why can’t we sleep, 2022
    Why can’t we sleep, 2022
  • Alexandre Lavet, UN HOMME QUI DORT, 2022
    UN HOMME QUI DORT, 2022
  • Alexandre Lavet, The room of one’s own, 2018
    The room of one’s own, 2018
  • Alexandre Lavet, SEMIN RENOV, 2022
    SEMIN RENOV, 2022
  • Alexandre Lavet, Paneer Mocknee, 2015
    Paneer Mocknee, 2015
  • Alexandre Lavet, LEARN FROM YESTERDAY, 2022
    LEARN FROM YESTERDAY, 2022
  • Alexandre Lavet, E.C. Large Asleep in the Afternoon, 2018
    E.C. Large Asleep in the Afternoon, 2018
  • Alexandre Lavet, Catulle, 2018
    Catulle, 2018
Art Fairs